Sunday, 20 February 2011

Bloody Poetry from Lily Childs - February Femme Fatale

February Femmes Fatales - February 20th
This is my final inclusion in the FFF showcase (having been told off for calling my pieces 'fillers'!)

It's the penultimate poem, and is something I wrote some time ago. I like the exchange of life-force, the shift of power - wrong or right.

Wipe your blades dry, let them glisten - clean. All the better to reflect your fine - and oh so white - teeth.

La Sanguinette by Lily Childs

I am humble.
A bumbling fool
to your decadence.

Spread yourself out
before me.
Let an old soul
eek out its
wanton breath
at the sight of you.

Splay your fine limbs
in deviant poses.
I’ll cover you
in roses
red.

A boy to a woman
of centuries, slave.
Seeking young blood
to swell your veins.
I took my fair share
on the journey.

I’m tired,
so very tired.
I want you -
as always
but
there’s only one way.

Begging to taste
you accede
on my terms.
The exchange begins.
I drink of you
one last time.

Tears spill
to wash you clean.
Your body flails.
It spasms, it kicks.
Spines and spikes
pierce your curvature,
pricking you dead
in sweet sacrifice.

My mouth, drips
scarlet.
I lick your life away.
My skin, pale
shines bright.
Revitalized.
It blooms, and it’s pink.

And me, I’m
the youth
I used to be.
Looking for fools
and brimming with hunger.
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Bio:
Lily Childs is a writer of dark fiction and horror. Her stories have been published in several small press anthologies including Their Dark Masters; Extreme Vampire Horror, Daily Bites of Flesh 2011 and Caught By Darkness. You can read more dark fiction and poetry here on her blog Lily Childs' Feardom, where her demons dance in tutus.
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Saturday, 19 February 2011

Meet Dorothy - or maybe you already know today's February Femme Fatale?

February Femmes Fatales - 
February 19th

I've really been looking forward to introducing Dorothy Davies. Along with A.J. Humpage she was one of the first to welcome and support me on Talkback, the online forum of the UK's Writers' News and Writing Magazine. And I am so appreciative of her continued encouragement.

Dorothy is as diverse an author as you can imagine with a wealth of experience across genres, but her speciality lies in historical fiction. Her latest novel, Death Be Pardoner To Me is testament to her knowledge, and more.

An editor in her own right, Dorothy also joined Static Movement last year, an indie press which has published work by several Femmes Fatales. She is now editor of a growing number of dark fiction and horror anthologies.

Dorothy's first short story here, Comes The Sweet Autumn, is sweet indeed.

Please welcome Dorothy Davies; some of you may know her as Antonia Woodville...

Comes The Sweet Autumn by Dorothy Davies

Comes the sweet Autumn with colour, with brilliant skies fit to fracture at the touch of a migrating bird, with the good scent of wood smoke and a hint of coldness. Time to bring out the wool, the thick blankets, the boots, everything that makes you feel good in these crisp autumn days.

It is a time to begin to close down, to stockpile food against the days you cannot go out, to ensure there is sufficient fuel for the fire, to prepare for the blizzards ahead.

The sweet Autumn is a good time to think of the empty cellar, with its hooks and its racks and its shelves awaiting supplies.

And so the Autumn is a good time to make sure that there are bodies aplenty for the cold days ahead.

Just think of the hooks and the racks and the shelves filled with fresh meat.

Is it not a good enough thought to make Autumn seem even sweeter?

Then come with me, we will hunt together and together we will ensure the cellar is full.

And if you do not offend me in any way, you may even survive until Spring.
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Bio:
Dorothy Davies
Writer, medium, editor, full member Fictioneer, lives on the Isle of Wight and writes strange stories.

Dorothy Davies
Author, 'Death Be Pardoner To Me', the life of George, duke of Clarence.

Amor Vincit Omnia
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Friday, 18 February 2011

A quickie - if you don't mind.

I took possession of a shiny new laptop with a disturbingly white keyboard today, for the day job (yes, I do have one). In my teeny, weeny lunch-break I took a peek at The Prediction, only to find the entire thing was a ghastly red with black text. As I train people in Web Accessibility I was somewhat horrified, as I'm sure you can imagine. It's only using IE7.

Below is what I hope you all see; if instead you see something resembling my horror experience above please do let me know. As I use a blogger template I'm not sure what I can do about it, but thank you.

What Lily Childs' Feardom Should Look Like (click to see in full size):

Lily's Friday Prediction

The moon, as I sloped off to bed in the early hours was fat and aglow with promise. This morning I can't even see the roofs for the mist that has crept off the sea in her wake. Apparently the sun is sending forth bursts of magnetic fire today which will interfere with technology, networks and infrastructure - a battle with Mercury then.

Congratulations to David Barber, good friend and traveller on the writing journey who was the winner of last week's Prediction with his tragic farewell, The Shape Of An Angel. Well done too to runners-up Aidan Fritz with the terrifying Halfbreeds and Ellie Garratt with her sci-fi apocalypse Gravity.

I have three new words for you. I hope they get under your skin:

  • Irish
  • Tide
  • Coach
Rules:

The rules are: 100 words max flash fiction or poetry using all of the words above. Please add your entries in the Comments box below. You have all week until 9pm UK time on Wednesday 23rd February to enter. (Note - a day early)

Winner will be announced next Thursday or Friday. If you can, please tweet about your entry, using the #fridayflash hashtag, and blog if you feel like it.

There's a dance in my head - not sure if it's a jig or a tango...
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Enter the live labyrinth of Asuqi - February Femme Fatale.

February Femmes Fatales -
February 18th 


This second piece of prose from Asuqi perfectly demonstrates her art. She has a unique attitude, studded with astute observation and delivery.

Betrayed thunders through the subject of abuse, at the heart of which is a little Alice lost and ever on the escape yet trapped by affection and loyalty.

For me there's a 1950s feel to Betrayed with deliberate exclamations to contradict the tragedy; unnerving as Sylvia Plath poetry.

Enter the maze; may you follow your own path...

Betrayed by Asuqi

This is a confined space, too narrow to live in or like, but it’s what I’ve got left and in a way, I suppose it suits me.

I lost myself in a labyrinth, the pretty one, in our vast garden. My sisters were snatched away from our lovely childhood by a monster too abhorrent to speak of. Me, I chose the maze.

Try chasing me here! Try finding me! I’m lost, I’m lost, impossible to find!

I spent these long years ensuring the labyrinth’s utter complexity. I recreated the paths, reorganized the hedges. I made a science of intricacy.

I sometimes see my sisters cry, the monster’s shadow heavy on their chests. I turn to lightness then, bend myself backwards and spiral away – I only dance abstract pieces.

The laces I’m wrapped in are my mother’s from a lifetime ago, I think the monster wanted me in them, but I can’t discard them, freedom is not mine to take.

Oh my God! He came for me! Last night in my dreams! Soft brown eyes, wine-scented kisses and his treacherous hands fumbling under my layers of lace.

My heart and my thoughts fluttered endlessly then, like the delicate membranes of a butterfly.

"Someone ought to have saved you," you say, your eyes a glacial sincerity. "Someone should have come for you!"

But there’s no one left, you see! And the softness in my eyes is as brown as his. We’re two of a kind, and this is what holds me secured more than anything; his body so close to mine, our minds entwined, the horrors he performed - are they the tales of my soul?

So I stay here, trapped, between him and myself. If you hear me scream, please go away, if I plead just leave! I´m ruined beyond salvation and if you come from a place of light, your heart pure and sweet, just forget about me, for I will turn my face to you, and I cannot promise my smile won´t be his.
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Bio:
Please accept me as Asuqi. On a long enough timeline, the survival rate for everyone drops to zero. So I go about searching for near-life experiences. I know them when they hit me, they tickle my brain. I only have questions, I am Jack's complete lack of certainty. Yes; "Fight Club". Always.

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Thursday, 17 February 2011

Prediction Winner

Goodness gracious; here's a thing. A record number of entries to the Prediction challenge. Let's start with the summaries - I'll try to keep it brief, as it could take a while.

  • David Barber promised an assault and boy, did he deliver:
    • #1 That bad chat-up line scores our hero a finely-shaped dinner, in Delicious.
    • #2 Debbie's dead and Peter's spotted the unnatural killer in In The Shadows.
    • #3 Genders twist, abused and controlled in the tragic A Broken Promise.
    • #4 A haunted husband and loving father finds the light in The Shape Of An Angel.
  • Ellie's Helward gave up the ghost in the face of overwhelming alien attention in Gravity.
  • Justice all round as Mimi's slob does his back in taking revenge in Edgewise.
  • Me, I went all poetic and wistful this week:
    • #1 Carnal Dox sings of pox in the port on the old main drag
    • #2 Stellar Song stops the stars from sparkling - but only for a moment, Gods or no Gods.
  • Rebecca's soul prowls through primal night, the hunter or the hunted? In The Night Hind.
  • Chris's spider bite turns his character's thoughts inside out in his copper-coloured Scratch.
  • The guilty turns killer in the reflection of AJ's adulterous Prelude.
  • He's gorgeous! Sue's cop in drag drags his heels in the street in Night Shift.
  • Aidan has siblings teasing  and toying with Mother's magic in the forestral Half Breeds.
  • The agony of betrayal slashes through ravenways' debut in Don't Look Now.
  • Melenka's curling entities wrap their shadows around frantic lovers before sucking them dry in Stock In Trade.
  • Shape-shifters rule. Antonia's doesn't tolerate inappropriate advances in Mistaken Identity.
  • She drags her burden with a smile, does Susan; completely Brazen she is.
  • Kook's back, evacuating body and soul in reverence to his unholy visions in William's Revelation.
  • More shape-shifters cause havoc in Kim's Appearances can be deceiving - and they don't even make the effort!
  • Pixie's fluttering fairy friend says goodbye to the deceiver with a poison arrow in Adieu.


Humble am I in such presence. I truly enjoyed not only every entry but also every comment - as always. Thank you all, for dallying at The Feardom.

David Barber is my winner this week, with the haunting and heart-rending The Shape Of An Angel. Beautifully tragic. Congratulations David.

Aidan's Halfbreeds crept into my skin, and Ellie's Gravity tore my world in two, three, four... Both are runners-up. Well done.

Back in the morn' - with its orange, sun burst sky - for a new Prediction.

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My name is Lily and I'm a... February Femme Fatale.

February Femmes Fatales - February 17th

My third filler piece on the Femmes Fatales showcase is one that is dangerously close to my heart. It has 'done the rounds' but hasn't been quite right for any publication so far.

Sometimes the desire to get it out there is stronger than the need to be paid (please don't quote me on that!) so I'm bringing Birthright out into the light. My protagonist is very dear to me, tortured and divine as she is; she makes me remember...

Please be gentle with her.

Birthright by Lily Childs

There is a child in my belly; in my womb. Yet no-one put it there. No-one I know.

Sixty seven years I have drummed this landscape, dancing and playing around the coasts of this island, but it is a good ten years since a prick thrust its way into my orchard.

Voluptuous was I. “Homely” they said. Vibrant of face and auburn of hair. Breasts to sleep against, curves to wallow in. But I slipped, and I fell, until my inevitable profession became one of passing love, a satisfier of desperate lust - over in an instant. Pregnancy, blissful and joyous, became an occupational hazard. I bore one child. It died. I bore a second – to order, and a third; fees of which I only saw a shilling or two, quickly spent. I could bear it no more; thereafter the back street snippers stole my earnings. By my fortieth year their butchery and the syphilis had taken its toll. No more a mother to be. Yet here I lie, a babe inside.

I am half-blind, toothless. My breasts hang to my knees. I can imagine how aroused you are by my unique beauty. But someone must have been, to have paid to experiment upon me. Someone slit me, opened me, stuffed me with nonsense, chemicals and embryos.

I feel it growing. My hands pulse with its heartbeat as I splay aged fingers across my rounded stomach. The size of it pushing upwards makes it hard to breathe. It means I must lay, propped up, when I need to sleep. The child kicks me, headbutts and beats my insides, making me shit and puke ‘til I faint on the floor. Everything I eat, it consumes. All I drink, it sucks dry.

I question the origins of the thing within me; it’s been two years in gestation. But I feel a mother’s love no less. Even as it eats me from the inside out, I adore it. Where it leaches my every last ounce of energy, I offer up my strength freely.

I lie in no hospital bed. No nurse, quack or doctor cares for me. My apartments are regal and glorious though I cannot tell if I linger in a fairy-tale tower or slumber beneath the ground, staring as I do through gaps and spaces. Windows on high, or subterranean vents - I know only that clawed creatures fly by the spines and vines that crawl with unspeakable insects, illuminated by stars and moonlight at the strangest angles.

Maids dress my suppurations, unseen servants deliver my feasts – for they are feasts, and they are extraordinary. Rare fruits dance across pewter platters with vials of rust-brown liquid peppering the scene. Here is softening laudanum; it dulls my senses, opens the blossom of my creativity, speaks with my soul, makes me cry…

Nothing, they tell me, can stop the progress. ‘Perceived genealogy’ means everything. It matters not that the foetus does not usher from twixt the legs of a Royal. Whatever the babe - miscreant or fully formed - they will nurture it, shape it, form it. It is their tool – political, governmental. A forgery. The princess, as in time immemorial will drop the cushion from beneath her dresses to show the next heir to the masses, and to her king. It is as it has always been.

“My son” the princess shall say. “His Royal Highness.” The crowds will adore their monarch as they have for centuries… And me? I will fade away, quietly, discreetly; a simple vessel for the monster.

I fought against this, my destiny. I knew, you see. Parading my flesh, denying my heritage - it was to no avail. The old blood of England fires through my veins. No Queen am I. A whore, they call me, but my mothers have slept with and comforted the Edwards, the Georges, the Henrys and Charleses. They tended the Annes and the Marys even, though no issue came from those unions. We, we are of ancient dynasties, as old as this land; worshipped ourselves once as deities – as Goddesses for the people. Look how far we have fallen.

Labour. Heavy, agonising labour courses through me. I vomit between screams, dropping in and out of consciousness. Women – women of child-bearing age with child-bearing hips unlike me stand around, deliberately ignoring my plight, waiting only for the birth.

It begins. Raging. Stinging. Even in my slack, flaccid, well-used tunnel the creature gets stuck. It flails around in my entry, causing us harm. But still I push. Hours; brutal, painful hours later the thing slithers from my blistered hole. Finally, I get some attention.

They take it away, expressionless.

It lived, I understand. You will know better than I if it was a girl or a boy. In your generation, or your descendants’ history books they will talk of this king or that, this princess or prince, waiting in turn to serve on the throne whilst the government bows its head in servitude. You will not hear, or read of the women left to bleed, untended until they die, their purposes served, again and again and again. All you will recognise are the tales, wondrous and heroic of your leaders, the Kings and Queens of England.

There is no Prince Charming. No happy and glorious benefactor reigning over us. There is only dominion; a bloody empire that accepts no blame.

Blame me. Blame my mothers and sisters.

Swear at me, tear at me. Point your fingers in accusation and disgust. But I beg you - not too much.

I had no choice. We did it for you.
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Bio:
Lily Childs is a writer of dark fiction and horror. Her stories have been published in several small press anthologies including Their Dark Masters; Extreme Vampire Horror, Daily Bites of Flesh 2011 and Caught By Darkness. You can read more dark fiction and poetry here on her blog Lily Childs' Feardom, where her demons dance in tutus.
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Lily Childs is a writer of horror, esoteric, mystery and chilling fiction.

If you see her dancing outside in a thunder storm - don't try to bring her in. She's safe.