Sunday, 6 February 2011

The sun always shines on Lou Treleaven - February Femme Fatale

February Femmes Fatales - February 6th

Back in early 2009 when I decided to stop leaving scribbles hidden in drawers and do something with them, I really had no idea where I was going. I joined Talkback, the private online forum of the UK's leading writers' mag Writers' News and Writing Magazine. I can now safely, and happily blame TB for what I have become.

Lou Treleaven is a fellow Talkbacker who has offered her voice of experience, her support and opinions over the last couple of years. And she's just... lovely! She writes dark fiction for children, young adults and big grown ups like us. To be able to gear your writing to those specific age-groups is a true talent which Lou has perfected.

I am proud to share space with Lou in horror anthologies Caught By Darkness and Daily Bites of Flesh.

Lou's February Femme Fatale story Fun With Derek is indeed a lighter-hearted tale with a determined humour, perfectly suited to a Sunday. I hope it tickles your fancy.

Fun with Derek By Lou Treleaven

“I suppose you’d better come in now you’re here,” I said, reluctantly opening the door to my ex-boyfriend.

“You’ve done all right for yourself, haven’t you?” he remarked cheerfully.

I narrowed my eyes at him as the thick wooden door slammed shut with a bang, rattling the grubby chandelier on the ceiling which released a shower of dust and a couple of plate-sized spiders. “You think so?”

Derek brushed the dust off his brightly-coloured jumper and followed me into the kitchen. “I never thought you’d be able to afford a decent place of your own.”

“I don’t think I’m ever really on my own here,” I said, pulling two mugs out of the cupboard. Above us, thumping noises and the rattling of chains announced there were still things in the attic I hadn’t managed to purge, but Derek didn’t seem to notice.

“I thought you’d come running back to me. I guess I was wrong.”

I handed him his tea. Behind him drawers started opening and closing of their own accord, but he didn’t hear them and walked over to the kitchen window. He took a hanky out of his sleeve and cleared a little peephole in the grimy glass. “Interesting.”

“The statues? They seem to change position every day. It’s like they’re acting out some bizarre play for me,” I said, joining him at the window.

“Not them. The stones. Is that a –“

“Graveyard, yes. It’s the previous occupants. You do realise this is a Dark Neighbourhood, don’t you? I mean, you saw the signs, the gibbets? It’s not ideal, but the rent’s dirt cheap and it’s handy for –“

“Rachel, won’t you come back to me?” Derek cried, putting down his mug and grabbing me by the shoulders in an uncharacteristic fit of passion.

Out of the corner of my eye I saw a statue outside pretend to vomit. I tried to ignore it. “It’s not that simple. What about my job? You don’t like it and I do, and I’m not going to give it up for you. I’m doing okay now, better than ever before in fact. Being in a Dark Neighborhood suits me. Now if you could consider moving to Unhallowed Acres as well…”

Derek looked sulky. “Are there any good gastro pubs?”

I considered. “There’s the Hangman’s Noose, but the food’s a bit ropey. The Cannibal’s Arms do a nice pie though, if you’ve got the stomach for it.”

“I’m serious, Rachel! Okay, I’ll try. I’ll even put up with your stupid job if I have to.”

My phone beeped. “Talking of which…” I glanced at the text and sighed. “Dr Chilling’s transformed again. I’d better get over to the surgery before there’s another bloodbath.”

Derek slumped. “Here we go again.”

“All right.” I put the phone down. He was doing his big puppy eyes. The ones that had got me into trouble the first time round. “Dr Chilling can wait a few more minutes. Go and sit on the sofa.”

I pointed him towards the living room. A shabby velvet chaise longue was the only furniture. Tall stained glass windows depicting macabre scenes looked on. Derek sat down awkwardly.

“I’m just going to fetch my silver dagger,” I called lightly.

“Your… what?”

“My dagger.” I was back with it already. I prided myself on always keeping the tools of my trade close at hand. I advanced on him and raised the weapon ready to strike; immaculately clean and polished to perfection, it shone prettily in the purple and red light coming through the window. What a lovely tableau we made at that moment.

“But – but you only kill vampires and… and werewolves and… horrible unnatural creatures!” Derek cried, putting up his arms.

“That’s right,” I said. I wrinkled my nose. Derek had lost control. How disgusting. “You are a horrible unnatural creature. Look at that jumper! And you keep hankies up your sleeve!”

“That’s not a crime!” Derek sobbed.

He was dribbling now. I sighed. Vampires were much more fun to kill. And that was the whole problem. I enjoyed my job so much more than I enjoyed spending time with Derek. In fact, I loved killing full stop.

“It is a crime, Derek. You are a crime.”

I shoved the knife into Derek’s chest, deliberately just missing his heart a few times before hitting the target. Outside I could hear the statues scraping along the ground towards the windows, pushing each other out of the way to get a look.

“Now this is fun,” I said, shaking a blood-stained strand of hair out of my eyes, but Derek seemed to have stopped listening.

Typical.

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Bio:
Lou Treleaven writes speculative fiction for adults and children, and can be found on the web at www.loutreleaven.wordpress.com.

Saturday, 5 February 2011

Worship at the altar of R.S. Bohn - February Femme Fatale

February Femmes Fatales - February 5th

I can hardly begin to tell you how I feel about Rebecca Bohn's writing. Dark is an understatement. The beauty that flows from her pen is exquisite and cruel in equal measure and she has a literary voice I could listen to all night.

November 2010 was obviously an important month on The Feardom when several of the Femmes Fatales originally appeared in the weekly Prediction, my Friday flash fiction challenge.

Rebecca first stunned our little community on Bonfire Night with a gorgeous, smutty little number. I'm pleased to say she kept coming back, teasing us with offerings of love and death.

The Devil Wants A Word is the first of two entries by the inimitable R.S. Bohn. Believe me, it's a piece of bliss.

The Devil Wants A Word by R.S. Bohn

You must excuse me. I am a stranger here. Your courtesies and traditions bewilder me, though I find them beautiful and intriguing, like the Japanese written language. I have not yet found my voice, but when I do, that language is one of many I will learn.

There is a cortege of vultures sitting on the roof of this hotel. The management sends a bellboy up each day with a towel, a pillowcase, or something equally ridiculous, which he flaps at them. They flap back, and he comes down with a new gash on his leg. Tomorrow, I predict, he will not go up at all. They will have to find another bellboy. I consider the average length of time it takes for your people to learn a lesson, but perhaps I am being unfair. No lesson is more difficult than death, after all.

In my own country, I am known for my eruditeness. I am known for a great many things, some of which you will come to understand soon enough. In the meantime, it is my hope that you will see this part of me, that you will admire me for intelligence, for knowledge, for characteristics you hold most noble here. It would please me if you did.

And so you do. You call me Scholar. I look forward to the time when I can say that word aloud, roll it around my mouth. I do not look forward to it as much as I do the moment I can say your name. There is every chance that it will sound prettier coming from your lips, but I think you will not mind.

The vultures have a voice, one more glorious than the bells the monks ring each morning and afternoon and night. When I have my own voice, I will add it to the vultures’, and together, we will smash those bells. The iron and clay will lie on the ground like so much rubble. Perhaps this will occur when a young monk is heaving the lines, and the shattered pieces of bell will pierce his fine young muscled chest. Perhaps the dust will choke the little dogs that are everywhere here, clog up the eyes and nose of the women bringing water from the well.

Have I made you cry? I would apologize – oh, fine, I do. But how divine you look! Your tears are a divinity, do you not know this? A god in every droplet. Ah, ah, the pictures. Well. I will not give you anymore pictures of broken bells. There.

Sometimes, your frailty disturbs me. Normally, it would please me. Amuse me, even. But the longer I spend in your presence, my sweet, the more I fall victim to these little storms of conscious. I know what I must do, to make the storms abate. And I want that peace. Don’t you? Don’t you, my little one? For I have heard your pleas, and I have listened. At the times you think I am not listening, I am. That is how I know what you most want, what you are afraid for me to see inside your soft, soft head. Your pictures, and how they touch me. I have shed the first tear of my existence here, in this room, while you sleep and I sort through your head.

You do not love me, little liar. You love the monks, and secretly—for you have told no one but me, and that, inadvertently—you want to be one. You cannot, for it has been explained to you that but for a little cleft in place of a stick, you could have had whatever you wished. Do you not see how this world binds you, and how I offer you freedom? When the bells are broken and the dogs all dead, I shall lift you on my shoulder, show your nakedness to those who denied you, and they shall fall in columns of fire while you expose your sacredness for worship. Of course, it will all be Gomorrah by then. You would not remember. It is as yesterday to me, that paradise. His destruction of it only culminating my delight, a climax of euphoria. I might have wept then, but no. Not until you.

The monks offer knowledge. Well, the monks are damned. You should know this now. The vultures will pick apart their damned bones, and we will toss them in a pot and I will show you real knowledge: how to read the futures, all of them, in the broken bones of broken monks. Is that not true knowledge? An education so fine has never been offered before, not by me. I have sons, thirteen, and not one of them can claim what I offer you now, child.

All you have to do is give me one thing in return. One small thing. Offer me your tongue, my darling, my goddess. It is the only thing you have to give, and in return, I promise a fortune. You will be my own daughter, and the knowledge you want will be yours. Exalted, my sweet. Held above all others. In exchange for something so insignificant to you, but it will give me a voice. A voice which will call down the mountain, the sky, and every bird and everything capable of crawling. A voice to join with the vultures.

What of the monks? What of them? Here is a robe, it is orange, it is yours. Keep it.

They deny you. I offer.

Accept. Accept, girl.

Ah, I feel it. You are hungry. You will be sated.

Open.

One small cut, that is all. Wider.

I knew this morning would come.

You taste like honey and I thank you.

And now. I promised.

“Bayarmaa.”

Take off your dress, daughter. We have work to do.
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Bio:
RS Bohn lives in a suburb outside of Detroit with a motley troupe of creatures and one lucky man. She's currently writing a steampunk novel, and you can find more of her shorter work here: http://rsbohn.blogspot.com/
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Friday, 4 February 2011

I'm stepping in - February Femme Fatale No. 4 - by default.

February Femmes Fatales - February 4th

Thank you to everyone who has contributed to and commented on the Femmes Fatales showcase so far. I'm so glad you are enjoying what you read.

Several of you have mentioned the pictures that accompany the stories - they are gorgeous, it's true. I'm afraid I only have the four, so they will rotate - but with slightly different colours and effects - and titles of course. I hope this doesn't disappoint.

It's such a privilege to shuffle in between the plethora of talented women here today. I had four days left to fill so am offering up this number of my own unpublished pieces.

February 4th's slot was for poetry so I'm posting something I wrote a while ago. It isn't horror in the demonic or human sense but rather is a true and terrifying account of a Parliament of Crows (mixed corvids, to be exact) that I witnessed just outside my house, in a very urban street. It is something I will never forget, and haunts me to this day. Nature, for all I splay myself on the ground in her honour, is cruel.

Be Gone by Lily Childs

He hears The Judge.
Feels the judge
circling, hurling taunts, abuse.

Master Crow,
caped wings raised accuses
Junior Jack the Daw, who
ducks the Law Man's
wrath.

Rook and raven, patchy magpie.
Families attack
the wretched Jack.
Only mother, pale blue eyes
alive with fear
stays her ground, son’s crime unknown.

Jack cowers, crushed
against raw earth.

Darkened feathers stain the air.

Judge caws for
a final verdict.

"Out. Out. Out."

Blackened corvids lunge, encroach.
Young Jack cries.
His mother dies,
a little.

Hurt teenager flees the court,
escapes
the screeching, screaming pack.
He daren't look back but leaves,
his blue and tattered cloak scarred
with banishment and
bitter shame.

“Be Gone” went their cruel command.
He’s gone,
broken and hurt
to die beneath a hanging tree
which mother will not find.

He’s gone.
She calls his name, again, once more, again
and yet again,
flaps black wings and flies away.
A cloud, a mist, a spec.
A mother left alone
to mourn her only son.
_______________________________

Bio:
Lily Childs likes the dark side. If only to balance with the light, you understand. Her short stories have appeared in a handful of small press anthologies including Their Dark Masters: Extreme Vampire Horror.

Lily's fiction and poetry also swim around online where they mix with similar creatures, and with every little trance of every little minute more delicious tales are spawned.
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Lily's Friday Prediction

It's Friday, and that can only mean one thing - it's the weekend tomorrow, and frankly I'm gagging for it. Peace, play, friends, family and writing more or less when I please.

The other most important thing about Friday is of course, it's time for another Prediction. Last week's were a wildly eclectic bag - loved them! AJ Humpage's terrifying recounting of murder in the name of justice, A Bad Colour was the winning entry, with Scratchypen's Patience a mean-monstered runner-up. Well done both.

Here, for your creative genius are this week's words :

  • Inhuman
  • Papyrus
  • Dart

Rules:

The rules are: 100 words max flash fiction or poetry using all of the words above. Please add your entries in the Comments box below. You have all week until 9pm UK time on Thursday 10th February to enter.

Winner will be announced next Thursday or Friday. If you can, please tweet about your entry, using the #fridayflash hashtag, and blog if you feel like it.

I wonder who'll be first past the post this week?
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Thursday, 3 February 2011

Prediction Winner

A glorious blend of gore, humour and insanity on many levels this week. Just how I like it. Let's whip, whip, whip through the summary...

  • My alchemist takes things a bit too far with pustulence and liquid mold in my tale, Black Milk.
  • Michael releases the wife of Satan, and all the wrath that comes with her in No Fury.
  • Mimi's Spilled Milk is the beginning of the end with an anger that really does explode.
  • Sue brought Ann Boleyn back to dark and vengeful life in her historic The Price of Treachery
  • Antonia's prisoner could be in jail or gouging the walls of an asylum cell - or both - in Solitary Confinement.
  • Aidan's tiny creatures, seen only through the innocence of a boy's eyes avenge themselves on his kitten in The Flower Eaters.
  • Chris' first untitled piece gave us la creme de la creme of sibling rivalry. He then came back with his perverse take on the classic nursery rhyme with Someone get that cat a violin.
  • AJ's raging tale of bigotism and injustice screams through the trees in A Bad Colour.
  • Scratchypen's evil little smith takes horrible pleasure in his job in the torturous Patience.
  • William's Tendrils slither and slide to embrace their domestic victim until it's time to feed.
  • Susan sneaks in with a frantic journey on what has to be an English train in Early Morning Fray.

These were really juicy!

This week's winner is AJ Humpage with A Bad Colour. The colours in question swirl blood-red to flame-yellow through every shade of burning orange. She has brilliantly described this most horrendous practise with its inevitable end. Wrong, so wrong. But congratulations AJ, a stunning piece of writing.

Well done too, to Scratchypen whose monstrous mad man is still vivid in my mind. Patience is this week's runner-up entry.

A demain...
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Introducing the 3rd February Femme Fatale - Marissa Farrar

February Femmes Fatales - February 3rd

Wherever I went across the web seeking horror and darkness for my literary pleasure I kept hearing about Marissa Farrar. News about her first novel Alone - a vampire romance - filtered into my consciousness and I found myself taking more and more notice of her name.

We eventually crossed paths like black cats in the night to share velvet cushions in Red Skies Press extreme vampire anthology Their Dark Masters.

I have enormous respect for Marissa's professionalism and her skilled and cunning writing. In her eerie and disturbing February Femmes Fatales tale Faces she makes us shiver with a ghost story based on true events. I just know you're going to enjoy it.

Faces by Marissa Farrar

“The faces on the wall make me scared...”

This answer has just come from my three-year old daughter as I sit with her on her bed, reading her a Winnie-the-Pooh book that deals with emotions. So far the answers have been what I expected;

‘What makes you happy?’

‘Getting treats.’

‘What makes you sad?

‘Not getting treats.’


But then I asked her, ‘what makes you scared?’ and the last thing I expected was that answer.

“What faces?” I say, my blood running cold. “There aren’t faces on the walls.”

“Yes there are,” she insists. “Some of them are nice, but some of them are mean.”

“Where are they?” I ask her. “When do you see them?

“They’re everywhere,” she says, looking around her. “And I see them all the time.

I huddle my daughter into my arms, as always shocked at how quickly my fat little baby, who had dimple in her dimples, grew into this skinny legged, sharp elbowed child.

A shiver runs through me, certain the room is a few degrees cooler.

“There’s nothing on the walls,” I tell her, reaching out and touching one of the smooth surfaces. “You’re seeing shadows.”

She looks at me as only a three-year old can. With total scepticism.

“They’re not shadows,” she almost laughs, as if I’ve told her a dog is a horse. “They’re people and they’re in the walls.”

“Don’t be silly. People can’t get in the walls.”

I know I’m telling her the truth, but there is still part of me that wonders...what if? What if she is right and I am the one who is wrong?

Suddenly claustrophobia presses on all sides, as if I am surrounded by faces, all peering down at me. For once I find myself wishing my ex-husband were here, and I was not alone in the house.

I lean down and kiss her small head, her fine hair tickling my nose.

“Come on, it’s time to go to sleep,” I tell her, pulling the covers up over her narrow frame. She snuggles down into her pillow and pulls her teddy-bear close to her body.

I reach out to switch off her bedroom lamp, but something moves on the wall, something just out of my peripheral vision. I freeze, my hand held in the same position, my heart pounding in my chest. Slowly I turn my head, cautiously needing to know what caught my attention, and almost laugh out loud. There is the shadow of my arm, grotesquely morphed across my daughter’s bedroom wall, frozen in position.

I wiggle my fingers, reassuring myself, and the shadow waves back.

It was nothing, only my imagination. Fears brought on by a child’s imagination.

I kiss her again and whisper, ‘I love you,’ into her ear.

Already she is halfway into the arms of sleep and I quietly back out of the room, trying to tell myself the flurry of movement across the wall is simply a creation of light and shade.

Downstairs, I sink into the arms of my favourite couch and pick up the well-thumbed paperback I’m currently reading. For a while I am taken into a different world; one of heroes with broad shoulders and dangerous smiles, of heroines with heaving breasts and plucky personalities.

A piercing scream tears me from my reverie. My head snaps up, my body launching from the couch. With blood rushing through my veins, I race up the stairs. Bursting through her bedroom door, the first thing I see is my child, huddled in the middle of the bed, her soft toy clutched to her chest. But then, as I take in her surrounding, my eyes prickle with sharp tears of fear.

Her room is back to front, her pillow at the wrong end of her bed, her book case turned around, her toys piled in the centre of the room.

“Honey?” I say, unsure if I should be terrified or angry. “What did you do to your room?”

“It wasn’t me!” she cries, her face in her hands. “It was the faces.”

“Don’t be silly. Faces can’t move things.”

Then I realise what I’ve said. “And there aren’t any faces. They’re just walls!”

I reach out my hand, intending to hit the wall, show her how solid it is, but her shriek of fear freezes me in my tracks.

“No, Mummy! Don’t hit them. They’re the mean ones and you’ll make them angry.”

I open my mouth to tell her the faces are not real, but movement stops me.

Do I see the walls ripple around me, the swirl of dark and light above my head? I squeeze my eyes shut. This isn’t real; it’s hysteria. I’ve watched a documentary about it before, I’m sure. How one person’s panic can take hold of another?

Yet something darts above me, bleeding into the paintwork, and another swoops down like a black cloak, billowing around us.

I grab my daughter from her bed and she clings to my neck, her legs wrapped around my waist. Staring at the mottled pink strands of her bedroom rug— too terrified to look up— I back out of the room and quickly pull the door shut behind me.

I hurry into my own bedroom and slam the door, blocking her bedroom from my own by the length of the hallway and two closed doors. I climb into bed, my daughter still attached to my body, like a monkey, shivering.

It was nothing, I tell myself. Just a bad case of night terrors.

And yet, as I huddle down beneath the covers, holding my daughter tight against the curve of my body, I am certain I can feel eyes peering down at me. 

Faces in the walls.

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Bio:
Marissa Farrar
Real life horror... as much as you can bear.


Marissa Farrar, born in Devon, England, now resides outside of London with her husband and two children. She has a degree in Zoology, but her true love has always been writing. Marissa writes horror as well as urban fantasy. Alone is her debut novel and her second, The Dark Road, was published in November 2010. She has also had a number of short stories accepted for anthologies.


Wednesday, 2 February 2011

Asuqi - Wednesday's February Femme Fatale

February Femmes Fatales - February 2nd

The first time I read one of Asuqi's entries to the Prediction I knew her voice to be absolutely unique. Over the following weeks she revealed herself to be an ethereal poet in the world of fiction, dancing between such clever combinations of words as to make me gasp.

In this, the first of Asuqi's two pieces in the February Femmes Fatales showcase, she demonstrates in under 150 words how fear touches our lives in very real terms. Chilling.

Abnormal Growths in My Plastic Mind by Asuqi

She's ill, really ill, but with an operation she could have a chance.
Only she texts one of our co-workers an early morning in September to tell us that they opened her and found metastasis all over the large intestine, it was like abrasive paper, she said, and they couldn't do anything so they just stitched her up again and she would call us when she had the strength, to tell us what would happen next.

Where they will go from here.

There's nowhere to go, I think, and start fortifying myself because one of these days she'll come visit us and I'll have to act normal, say good things, be supportive.

But I can't help thinking, it's death that'll come visit, and what if, when I hug her, she leans in to me and whispers in my ear:

"I'm passing it on to you."
______________________________________

Bio:
Please accept me as Asuqi. On a long enough timeline, the survival rate for everyone drops to zero. So I go about searching for near-life experiences. I know them when they hit me, they tickle my brain. I only have questions, I am Jack's complete lack of certainty. Yes; "Fight Club". Always.

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Lily Childs is a writer of horror, esoteric, mystery and chilling fiction.

If you see her dancing outside in a thunder storm - don't try to bring her in. She's safe.